I am reading about structure. All stories have that, they say. All good stories have a beginning, a middle, and an end.
There should be three acts. I have learned that, from books about heroes and journeys and protagonists and antagonists.
And there should be conflict. All good stories are driven by conflict. The conflict centers around a dilemma. A dilemma is a problem that cannot be solved. It can only be resolved, or altered, or modified, by a change of perception.
There are no answers. There is only exploration, of the story that I have within me, and which by exploration can be let loose, and come alive on the page.
The blank page. Right there in front of me.
And there should be beats, and scenes, each with mandatory steps – inciting incident, complication, crisis question, climactic decision, and resolution.
It turns out that these steps apply on different levels. This sounds rather cool, I would say. They apply, in micro-scale on individual beats, and on a somewhat larger scale on scenes. And they also apply on acts, and for the whole – for the global story. Almost like a fractal.
I am trying to make sense of the above things. I have this goal of putting together a new book. And then one more. And then perhaps a series.
Why, one may ask?
I cannot answer that one clearly enough. Perhaps it is a test. To see if it can be done. Before it is too late.
These are my current, favourite references in this endeavour:
- The 90-Day Novel by Alan Watt. I purchased this book in 2011, and I used it a bit in my previous project. This time I intend to follow it, and to go through the ninety day scheme that is presented in the book. I think it is a good way to make sense of the structure questions, while still holding it loosely enough so that it does not feel artificial and constructed.
- The Story Grid by Shawn Coyne. Here I learn about the structure, and the steps mentioned above, and a lot more. There is also a running example, where the author applies the Story Grid to The Silence of the Lambs. The book is very well written, and very instructive.
- From Where You Dream by Robert Olen Butler. This book is the opposite of structure. It may help you to make a story come alive, and to make the reader feel something, and not just be informed. I have written about this book also in another post.