What if we could single out the unproductive?
What if we could find, and eliminate, the ones who do not fit in?
Even better, what if we could prevent them from entering our world?
Some people may want to ponder these questions.
Some people may also want to act on them, and do something about it.
An organisation, headed by its Leader in collaboration with the man known to them as the Treasurer, has been formed, and their goal is to create a better society. They will do it using DNA, and they will use DNA patterns for selecting the ones who are fit, and suitable, and have the talent for science and rational reasoning.
They will do it while our protagonist, Oliver Dalton, continues his ordinary life, with a permanent job at the University and with a temporary assignment at the Department of Education and Societal Health.
He has been hired, by the Department, and his task is to see patterns in DNA, using the national DNA database as his data set. His world interleaves with the world of the organisation and their Treasurer, and it affects Oliver and his family, in ways that they had not anticipated.
The organisation refines its plans while Oliver spends time in Munich, visiting his daughter and celebrating his own birthday. When the organisation finally decides how to carry out their mission, by shifting their focus from elimination to prevention, Oliver is busy with his work. When Oliver is informed that his daughter is in danger, and the police steps in, this is not an end, but rather a beginning, of an even more complex situation.
As the final plans are set into motion, the police and the Dalton family do what they can to track down the organisation, and charge them for a crime that will “eliminate whole generations, without harming, or killing, a single person.”
Set in Munich and in an unspecified Northern country, in our current society, with science and technology as driving forces and with art in its different forms as a sometimes debated complement, Prevention is a “fast-paced modern thriller. The plot is well executed and the writing is crisp and engaging. The character of Oliver Dalton is well drawn and relatable and the cast of supporting characters is equally realistic. Prevention probes into the field of DNA matches and profiling, and the various uses that gene matching can be put to.”
Updated backside text
What if we could find them? – the ones who are not fit
and then, when we know who they are, we could take action …
Oliver Dalton’s job is to see patterns in DNA. His government has hired him, on a temporary contract, and his task is to analyse data from the National DNA database. The purpose, his government says, is to find persons who are genetically fit for jobs in science and technology. Such persons are very much wanted, and we do not consider it morally wrong to use DNA profiling to find them.
Oliver discovers that there are others who seem to have the same idea. He sees traces of searches, and pattern matches, done by someone other than himself, and he considers reporting his findings to his manager. What if this is an intrusion, he wonders, into our national storage of our complete population’s DNA?
Unknowing to Oliver, he is correct in his assumption. An external, in fact international, organisation has adopted the government’s way of classifying humans. But in contrast to Oliver, they have decided to instead search for persons who are not fit for science and technology.
“And when we know who these persons are,” they reason, “we could of course take it one step further and seek them out. And since their contribution to real, measurable, advances of our society is as good as none, what would be wrong if we instead chose to eliminate them?”
The organisation refines its plans while Oliver spends time in Munich, visiting his daughter and celebrating his own birthday. His wife is with him, and they look forward to a week with museums and visits to their daughter’s school. She is a student of Drama, and like her brother Michael, who is an opera student, she has chosen the artistic way.
When the organisation finally decides how to carry out their mission, by shifting their focus from elimination to prevention, Oliver is busy with his work. When Oliver is informed that his daughter is in danger, and the police steps in, this is not an end, but rather a beginning, of an even more complex situation.
As the final plans are set into motion, the police and the Dalton family do what they can to track down the organisation. Will they find out how, and where, and by which means of distribution, the organisation will reach their targets? And what will the eventual crime charge be? How can we charge for a crime that wants to “eliminate whole generations, without harming, or killing, a single person?”
And will the Dalton family itself, with its artistic traits, be selected as a target?
(first stab at backside text – book ready! – starting to figure out how to publish)