Category Archives: Munich

At the Museum

“Did you know,” Elizabeth says to Oliver, “that some researchers explain the war crimes as a result of a rational and systematic reasoning. It was not aimed at certain ethnic groups when it started. It was, initially at least, an attempt to create a more efficient society, by simply promoting the ones who were best suited to contribute. Have you thought about it like that? Oliver, hello, I am talking to you …”


Oliver was reading. And taking pictures. He liked to take pictures at museums. He took pictures of the artefacts – old machines, airplane mockups, and electricity stations. He also took pictures of the texts. He liked this, to have a recording of the texts describing the artefacts. Often these texts said something, about the time when this machine was new and considered state-of-the-art, and in that way also something about the people living then, operating the machine, doing their work, living their lives, one day at a time.

“No, I did not think about it in that way,” Oliver said.

Oliver had listened to Elizabeth, and he had done it at the same time as he was reading. He sometimes took this opportunity, to point out his female traits, and he found it especially convenient when he was asked to do practical work. Practical work meant working with their house, doing necessary repairs and perhaps also some paint work, and from time to time there was also a need to do something to their car. By keeping a safe distance from these activities, he prevented himself from doing the wrong things, or breaking things, and he had no intent to fall down from a ladder, or get crushed under his car while changing tires.

“But for sure, it could happen again, also in our country,” he said.

He felt like a lesser skilled reporter, echoing words from intellectual persons, now and then letting their voices out in popular documentaries on one of the state-owned television channels.

“But it was another time then,” he said. “I think we are more protected from certain things now, due to everyone communicating with everyone all the time.”

He turned towards Elizabeth, who was standing some metres away.

“I mean,” Oliver said, “look at the recent uprisings, Spring Uprisings I think they are called. In several countries, almost at the same time, people have taken action. And they have made some real progress. Not only with words in underground magazines, or through the use of protest songs. They have made real things happen, and real persons, although some of them being dictators but still persons, have paid with their lives.”

“All right, my dear Professor,” Elizabeth said. “I get your point.”

She communicated her response in her standard, matter-of-fact, hmm-sounds-interesting, voice. She had been there before, in similar situations, listening to her beloved husband as he made one of his little speeches. They were delivered in an illuminating and enthusiastic tone, but more often than not she could not help but listening to the undertone – perhaps it was involuntary but nevertheless it was not so skilfully hidden – of a man talking to someone slightly below his own rank.

She wanted to continue her previously initiated discussion, and she knew that Oliver would be sincerely interested had he been able to concentrate on what she had to say. He had always been debating the rationality of his own world, with his equations and his models, and they often discussed what could happen if humankind decided to go all the way, towards a scientifically proven and rationally structured society, with productivity and growth as the only measures of progress.

“Of course there would be no art, of any kind, in such a world,” Oliver once said. “But I’m sure there are many who would not be missing it – at least not the more modern kinds.”

She looked for her husband, and after having surveyed half of her field-of-view, looking towards the direction where they were supposed to continue, she spotted him. He was on his way towards the next Exhibit hall. It was a newly restored and freshened up exhibition, located in the building assigned to the Theory and Applications of Genetic Engineering. This was a new topic at the museum, and it had been initiated with financial and intellectual support from a recognised combination of established researchers and industrial top executives. They represented a mix of organisations, of which some were governmental and others private.

Medical and pharmaceutical research institutes and corporations were represented, as one would expect. Lately, however, an increasing share of the sponsoring had been contributed by industries in software and computer engineering. Oliver found this interesting, and he was fascinated by the fact that his home field of computers and software systems – which in his own view was more related to technology and materialistic things than being scientific and systematic as genetics and biology – was represented here, among the museum donors.

He was aware of recent research and experiments where a parallel computer had been created, with a complexity similar to the brain of a reasonably advanced animal (he remembered something about a cat, but he was not sure). Oliver was confident that this was very far from creating a real brain, and he sometimes found himself irritated when he listened to his technologist colleagues, talking and gesturing, all progress and glory in their eyes, about computers with brains and intelligence. If they had studied the results we see here, at this fantastic museum, nicely displayed right in front of us, they would have known that putting a lot of computer power in one place is one thing, but making it evolve like life itself is a completely different matter.

They were inside the new hall, with Elizabeth wondering where to find a decent cup of coffee, and Oliver wondering how to find the most efficient way of spending the time they had, to maximise his learning experience.

“Look,” Oliver said enthusiastically, “here we can see the history of the discovery of the DNA. Look at all the pieces, the beautiful double helix, the codes, using only four letters isn’t that amazing.”

He turned towards Elizabeth, and his arms were wide apart, and Mother Nature was filling his eyes with glitter and light. He felt the wonders of science, discovered by great minds belonging to interesting persons, and in some – perhaps small but still – way he was part of it.

“And here we see the enzymes,” he continued. “The great protein creators, acting like workers in a factory, doing their systematic job, almost like a computer carrying out its instructions, one by one, step by step.”

He was in his best mood, and it was somewhat contagious.

“I love you too,” his wife said, as she kissed him on his left cheek.

His interpretation was the usual one. Take your time, she had said, and let’s have some coffee later.

“Isn’t it interesting?” he asked himself, and perhaps also subconsciously addressing Elizabeth, “that all these tiny pieces, when they come together, make up such an intelligent machinery?”

He became aware that she had left the room, but his conversation continued.

“Thinking about it a little bit more,” he said, addressing an elderly woman standing beside him, “you are almost convinced that there must be some kind of design behind it.”

“Aha, I see what you are getting at,” said the woman. “We have some talk about it back home. They call it Intelligent Design, and soon it may be part of the school curriculum.”

“Ssh,” Oliver said, holding his upright index finger in front of him, and smiling towards his newfound acquaintance.

She looked back, somewhat puzzled, and before she had a chance to comment, Oliver continued.

“We have this new party,” he said. “They are interesting but in a sense also somewhat fanatic.”

“Ok,” the woman replied. “Tell me more.”

“They totally advocate a renaissance of science,” he said. “And had they been here, undercover and spying on us, the people they are set out to protect, they would not have liked us talking about Intelligent Design.”

“Who knows,” he added, “some day they might arrest people for unscientific public behaviour.”

He wanted to say more, but he felt the presence of his better half nearby, and as a precaution, preventing him from being told to stop his academically styled wit, thrown upon an innocent bystander, he nodded towards the woman, and said, towards Elizabeth.

“Yes, darling, I’m coming. Coffee would be perfect. I’m all done here.”

The Hotel

The hotel was small but nice. It was located a few blocks off the main Railway station, a place which they approached using the well-functioning and precisely scheduled train system known as the S-Bahn.

They arrived after a short walk, entering the lobby through a narrow door with a sign telling them that Zimmers were still Frei. The check-in was carried out as in older times, requiring the dear guests to fill in a hand-written document with their names and home addresses, combined with an equally out-of-time documentation of their passport numbers.

Oliver found this part of the procedure interesting. Considering that almost all citizens of today have internationally valid ID cards, or internationally valid driving licenses – all stored in internationally synchronised databases – the whole procedure could have been done electronically.

They did as told, filling in their signatures in the designated boxes, and when the yellowish papers were safely stored behind the counter their keys were handed out. It was slightly before five o’clock when Oliver and Elizabeth walked the two flights of stairs, leading them to their floor. They turned right, as instructed, and after some minutes of searching they found their room, at the end of a somewhat dark, and not very clean, corridor.


Oliver did his customary routine. Always check the television. This is the first thing to do when you enter a new hotel room. What channels are there? Are there any English-speaking channels? No, in this case. Are there any movie channels? Yes. Are all movies dubbed? Also Yes. Oliver found this fascinating, this culture of dubbing films. He wondered why country after country still chose to use it, and he found it even more fascinating that it was used for almost all foreign movies. They simply replaced the original voices by the voices of some, perhaps famous in their own way, native speakers, and subtitles were completely out of the question.

He managed to find a channel with news, spoken in a clear and not too fast German. Having covered the main national events of the day, the news channel did some reporting also from other countries. It was a bit surprising, but the reporting he now witnessed came from his own country. The news reporter mentioned the new party, and the results it had achieved in the polls up till now. Thinking of new parties, with new agendas promising bright new futures, and being where he was at this very moment, gave Oliver a certain sense of awareness. He had heard it from Elizabeth’s father, but also from his parents and teachers, and he had been told that “It happened there, and it can happen also here.”

They had decided to spend the next day, the first full day in their scheduled week, by visiting some museums. This plan was now to be reconsidered. Their daughter was not well, and it was not clear if she would join them or not.

“We should go and see her,” Oliver said. “Let’s buy some German pastry, and perhaps some wine. I saw a Konditorei just outside.”

His proposal was met, not with enthusiasm, but it was nevertheless accepted. They bought a large piece of Sacher cake, and together with a bottle of mineral water and a small bottle of red wine, they entered a taxi.

“Lehrerstrasse Ein-und-Dreissig,” Oliver said, and smiled towards the taxi driver.

“All right,” the taxi driver said, and pulled out from the curb. He took them to their destination, and after having explained to Oliver, in well-rehearsed English, that he did not accept credit cards, he received his amount, and a tip, all in recently acquired and unfolded Euro bills.

A helping hand to Evolution

What if we could single out the unproductive?

2015-05-02 15.46.17

What if we could find, and eliminate, the ones who do not fit in?

Even better, what if we could prevent them from entering our world?

Some people may want to ponder these questions.

Some people may also want to act on them, and do something about it.

An organisation, headed by its Leader in collaboration with the man known to them as the Treasurer, has been formed, and their goal is to create a better society. They will do it using DNA, and they will use DNA patterns for selecting the ones who are fit, and suitable, and have the talent for science and rational reasoning.

They will do it while our protagonist, Oliver Dalton, continues his ordinary life, with a permanent job at the University and with a temporary assignment at the Department of Education and Societal Health.

He has been hired, by the Department, and his task is to see patterns in DNA, using the national DNA database as his data set. His world interleaves with the world of the organisation and their Treasurer, and it affects Oliver and his family, in ways that they had not anticipated.

The organisation refines its plans while Oliver spends time in Munich, visiting his daughter and celebrating his own birthday. When the organisation finally decides how to carry out their mission, by shifting their focus from elimination to prevention, Oliver is busy with his work. When Oliver is informed that his daughter is in danger, and the police steps in, this is not an end, but rather a beginning, of an even more complex situation.

As the final plans are set into motion, the police and the Dalton family do what they can to track down the organisation, and charge them for a crime that will “eliminate whole generations, without harming, or killing, a single person.”

Set in Munich and in an unspecified Northern country, in our current society, with science and technology as driving forces and with art in its different forms as a sometimes debated complement, Prevention is a “fast-paced modern thriller. The plot is well executed and the writing is crisp and engaging. The character of Oliver Dalton is well drawn and relatable and the cast of supporting characters is equally realistic. Prevention probes into the field of DNA matches and profiling, and the various uses that gene matching can be put to.”

Updated backside text

Finding those who are not fit

What if we could find them? – the ones who are not fit

2014-10-26 14.41.22

and then, when we know who they are, we could take action …

Oliver Dalton’s job is to see patterns in DNA. His government has hired him, on a temporary contract, and his task is to analyse data from the National DNA database. The purpose, his government says, is to find persons who are genetically fit for jobs in science and technology. Such persons are very much wanted, and we do not consider it morally wrong to use DNA profiling to find them.

Oliver discovers that there are others who seem to have the same idea. He sees traces of searches, and pattern matches, done by someone other than himself, and he considers reporting his findings to his manager. What if this is an intrusion, he wonders, into our national storage of our complete population’s DNA?

Unknowing to Oliver, he is correct in his assumption. An external, in fact international, organisation has adopted the government’s way of classifying humans. But in contrast to Oliver, they have decided to instead search for persons who are not fit for science and technology.

“And when we know who these persons are,” they reason, “we could of course take it one step further and seek them out. And since their contribution to real, measurable, advances of our society is as good as none, what would be wrong if we instead chose to eliminate them?”

The organisation refines its plans while Oliver spends time in Munich, visiting his daughter and celebrating his own birthday. His wife is with him, and they look forward to a week with museums and visits to their daughter’s school. She is a student of Drama, and like her brother Michael, who is an opera student, she has chosen the artistic way.

When the organisation finally decides how to carry out their mission, by shifting their focus from elimination to prevention, Oliver is busy with his work. When Oliver is informed that his daughter is in danger, and the police steps in, this is not an end, but rather a beginning, of an even more complex situation.

As the final plans are set into motion, the police and the Dalton family do what they can to track down the organisation. Will they find out how, and where, and by which means of distribution, the organisation will reach their targets? And what will the eventual crime charge be? How can we charge for a crime that wants to “eliminate whole generations, without harming, or killing, a single person?”

And will the Dalton family itself, with its artistic traits, be selected as a target?

(first stab at backside text – book ready! – starting to figure out how to publish)